However, in Season 5 (you’ll see this season a lot on this list, as it carries many of the show’s best musical choices), we got a brief glimpse of the callous head doctor’s humanity. Kelso was often accused of not having a heart, and he barely ever showed one across the entire lifespan of the series. Citizen Cope, “Sideways” Season 5, Episode 4, “My Jiggly Ball”ĭr. ![]() and Elliott’s long lifetime of romantic pinball.ġ7. Nil Lara’s upbeat acoustics are a solid accompaniment for this first ice-breaker of many in J.D. ![]() Season 1’s “My Drug Buddy,” though, gives them their first real hookup after weeks of tension, breaking that foreshadowing early on in the show’s life. and Elliott’s on-again-off-again love affair was the fuel for many of Scrubs‘ early conflicts, as they marked each of their respectively doomed relationships - often with each other. Nil Lara, “Fighting For My Love” Season 1, Episode 14, “My Drug Buddy” But as Rhett Miller’s earnest crooning and sprightly acoustic chords ring out over a classic, wordless Scrubs montage, everyone reconciles with each other in fleeting moments at the end of the day.ġ8. muses in voiceover as he closes out this season two episode, unlucky in love while everyone around him struggles through their various relationship problems. “I don’t think people are meant to be by themselves,” J.D. Rhett Miller, “Come Around” Season 2, Episode 18: “My T.C.W.” “We’re having a baby.” Kutlass’ ballad is pure 2000s cheese, but it works in the moment.ġ9. and the gang already know - they were planning a surprise party at the bar. Take Season 5’s “My Bright Idea,” which ends with Carla learning that she and Turk are pregnant, and the revelation that J.D. Kutless, “All of The Words” Season 5, Episode 16, “My Bright Idea”ĭespite what you may remember about Scrubs‘ sad montages (and believe me, we’ll get to them), the end-of-episode songs weren’t always bummers, and they weren’t always set to bad news. Strap on your stethoscopes, sit down, and listen up, newbie!Ģ0. But the songs that ended each episode of Scrubs (and, occasionally, broke through the fabric of the series and burst into the show’s diegesis) were a who’s-who of indie pop and rock acts of the 2000s, widening the musical scope of network TV while also shaping the musical tastes of the millions who watched it.įor the show’s twentieth anniversary - the pilot aired on October 2nd, 2001 - we looked through every weepy montage, every unexpected burst of musical showmanship, and every surprising cameo to find twenty songs to celebrate each year since its premiere (ranked in order, of course). Sure, there was the catchy theme tune, Lazlo Bane’s breathy “Superman,” which perfectly encapsulated the lighthearted whimsy its characters would use to offset the life-or-death stakes of its hospital setting. (Star Zach Braff would cop a few of these artists, and this music-heavy approach, to his 2004 indie darling Garden State, which, regardless of its age, won a Grammy for its soundtrack and cemented The Shins in the minds and hearts of angsty white Millennials everywhere.) It’s a trope that would become well-worn by the time Scrubs went off the air, but nobody did it better than Lawrence and the show’s cabal of music supervisors, who would release three official soundtracks during the show’s run. Much of the success of that thematic juggling act was bolstered by the show’s soundtrack, which usually presented itself in an array of end-of-episode montages that put a poignant button on all of our characters’ respective conflicts while some painfully-earnest pop track played in the background. You could count on Scrubs to make you laugh for twenty minutes, but in the last two before the credits, it was liable to make you cry. Like Lawrence’s later show - the Internet’s current darling/core of shockingly bitter Internet discourse Ted Lasso - Scrubs worked tirelessly to thread its wacky, colorful characters and endearingly cinematic sight gags with an essential core of dramedic sentiment. And yet, it’s easy to forget just how influential Bill Lawrence’s goofy, absurd, heartbreaking show about the residents, staff, and patients of Sacred Heart Hospital was to the fabric of network comedy. For its long (some might say too long) nine-season run on NBC, Scrubs was probably the best sitcom on television.
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